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The following are capsule reviews of movies recently reviewed by the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.
The Groomsmen (Bauer-Martinez)
Intermittently engaging New York drama about a writer (Edward
Burns, who also directs) wrestling with anxiety over his impending
marriage to his pregnant girlfriend (Brittany Murphy) during
a week, leading up to the wedding, of male bonding with his
groomsmen (Jay Mohr, Matthew Lillard, Donal Logue and John
Leguizamo), each of whom is dealing with personal dilemmas
as well. As with past Burns' films, the movie --- set in his
usual working-class, Irish-Catholic milieu --- explores themes
of family and friendship, love and commitment, relationships
and responsibility, but while it has moments of honest emotion,
the talky script lacks focus and much of the banter is banal.
Pervasive rough and crude language, some profanity, an uncritical
view of homosexuality, tacit approval of premarital living
arrangements, several vulgar gestures, fleeting rear nudity,
a scene in a strip club, and a crass scene of urination. Ratings:
L, R.
Little Man (Columbia)
Imbecilic comedy about a diminutive jewel thief (Marlon Wayans)
who poses as an abandoned baby and is taken in by a childless
couple (Shawn Wayans and Kerry Washington), playing on their
kindness to retrieve a stolen diamond which wound up in the
wife's handbag during a botched heist getaway. What could
have been a serviceable farce with a sentimental plug for
parenthood is instead a one-joke blunder by director Keenan
Ivory Wayans, full of infantile slapstick and crass sight
gags that play to diminishing returns. Crude sexual and bathroom
humor, an implied bedroom encounter, vulgar gestures, some
comic violence and scattered rude expressions. Ratings: L,
PG-13.
You,
Me and Dupree (Universal)
After losing his job, home and car, the boorish best friend
(Owen Wilson) of the groom moves in with the newlyweds (Matt
Dillon and Kate Hudson) creating havoc until, midway through,
he straightens himself out and proves himself useful. Directors
Anthony and Joe Russo's uneven comedy starts out irritating
and contrived, but improves as it goes along, while the leads
are excellent. The vulgar comic elements (less pervasive than
in most films of this type) are not entirely outweighed by
the movie's humanistic tone, the characters' ultimately decent
behavior, and feel-good affirmations of love, marriage and
friendship. Some profanity, rough and crude language, sexual
humor and innuendo, scatological humor, implied premarital
kinky sex, brief rear and partial nudity, and a drug reference.
Ratings: L, PG-13.
Office
for Film & Broadcasting classifications: A-I --- general patronage;
A-II --- adults and adolescents; A-III --- adults; L --- limited
adult audience, films whose problematic content many adults
would find troubling; O --- morally offensive. MPAA ratings:
G --- general audiences, all ages admitted; PG --- parental
guidance suggested, some material may not be suitable for
children; PG-13 --- parents strongly cautioned, some material
may be inappropriate for children under 13; R --- restricted,
under 17 requires accompanying parent or adult guardian; NC-17
--- no one 17 and under admitted.
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