| The following are capsule reviews of movies recently reviewed by the Office for Film & Broadcasting of the U.S. Conference of Catholic Bishops.
"Casanova"
(Touchstone)
Handsome but leisurely paced period piece about history's
most famous lover (Heath Ledger), focusing on a fictitious
"secret" episode in his life: his incognito love affair with
an 18th-century Venetian beauty (Sienna Miller) who writes
feminist tracts under a male nom de plume. On the plus side,
Lasse Hallstrom's film is well acted, farcical without overdoing
the slapstick, remarkably restrained in sexual matters, and
even has a reasonably moral ending, but there's a surfeit
of troublesome Inquisition-era jibes at the Catholic Church
(including a comically villainous bishop played by Jeremy
Irons), and an episode involving seduction of a novice. Brief
sexual episodes without nudity, innuendo, some crude expressions,
pervasive anti-clerical view and a mild torture scene. The
USCCB Office for Film & Broadcasting classification is L --
limited adult audience, films whose problematic content many
adults would find troubling. The Motion Picture Association
of America rating is R -- restricted.
"Cheaper
By the Dozen 2" (20th Century Fox)
Agreeably entertaining sequel to the 2003 comedy which finds
the Baker brood -- mom (Bonnie Hunt), dad (Steve Martin) and
their 12 children -- vacationing at a lakefront cabin where
their summer holiday unravels into a battle for bragging rights
against a rival clan headed by a hypercompetitive blowhard
(Eugene Levy). Director Adam Shankman serves up a similar
helping of mildly amusing slapstick and heart-tugging sentiment,
slightly more satisfying this time around, while again affirming
a strong family-values message. Much comic mayhem, and some
mildly crude humor, language and innuendo. The USCCB Office
for Film & Broadcasting classification is A-II -- adults and
adolescents. The Motion Picture Association of America rating
is PG -- parental guidance suggested.
"Fun
With Dick and Jane" (Columbia)
Middling remake of the 1977 George Segal-Jane Fonda comedy
about an affluent suburban couple who fall on hard times when
they lose their jobs, and after failing to land something
else turn to robbery in desperation. Director Dean Parisot's
version starts out promisingly, but turns sour and unfunny,
despite the skill of its two accomplished stars, while the
basic premise, a satire on the American dream and corporate
greed, is unconvincing from a dramatic, as much as a moral,
standpoint. Some rough and crude language and profanity, brief
bedroom encounters between husband and wife, some crude humor
and innuendo, mild irreverence. The USCCB Office for Film
& Broadcasting classification is A-III -- adults. The Motion
Picture Association of America rating is PG-13 -- parents
are strongly cautioned. Some material may be inappropriate
for children under 13.
"The
Matador" (Weinstein)
Dark and vulgar black comedy about a mild-mannered traveling
salesman (Greg Kinnear) who, while on business in Mexico,
befriends a burned-out international hit man (Pierce Brosnan)
who later shows up on the Denver doorstep of the former asking
for help to get back his killer edge. Directed by Richard
Shepard, the unconventional buddy movie's coarse tone and
morally untenable ending outweigh its good performances, especially
that of Brosnan, who makes his sleazy assassin more appealing
than he deserves to be. A frivolous treatment of murder, strong
sexual content, frontal and rear nudity, irreligious and lewd
humor, and pervasive crude and rough language. The USCCB Office
for Film & Broadcasting classification is O -- morally offensive.
The Motion Picture Association of America rating is R -- restricted.
"Match
Point" (DreamWorks)
Hypnotic London-based morality tale of lower-class tennis
instructor (Jonathan Rhys Meyers) who marries a young woman
(Emily Mortimer) from an affluent family and commences an
affair with his brother-in-law's ex-fiancee (Scarlett Johansson).
Writer-director Woody Allen is at the top of his serious,
as opposed to humorous, form in a superbly acted psychological
drama that makes its cautionary point even though, like its
protagonist, the film delineates a universe governed not by
God, but by pure luck. Several discreetly filmed sexual encounters
but no overt nudity, some innuendo, adultery theme, scattered
profanity and crass words, a couple of violent episodes discreetly
filmed, abortion discussion and nihilistic worldview. The
USCCB Office for Film & Broadcasting classification is A-III
-- adults. The Motion Picture Association of America rating
is R -- restricted.
"The
New World" (New Line)
Visually exquisite, but listless and long-winded telling of
the semi-legendary love affair between English explorer Captain
John Smith (Colin Farrell) and his Native American paramour,
Pocahontas (Q'Orianka Kilcher), who saves his life in 1607
Virginia, with their star-crossed romance playing out against
mounting tensions between their two peoples. Directed by Terrence
Malick, the textured film is basically a series of tableaux
-- meticulous in their attention to period detail -- held
together by the largely embellished love story, which is saddled
with pretentious voiceover narration and underdeveloped characters.
Intense battle violence. The USCCB Office for Film & Broadcasting
classification is A-III -- adults. The Motion Picture Association
of America rating is PG-13 -- parents are strongly cautioned.
Some material may be inappropriate for children under 13.
"The
Ringer" (Fox Searchlight)
Audacious but surprisingly sweet comedy about an office worker
(Johnny Knoxville) who reluctantly conspires with his sleazy
uncle (Brian Cox) to "fix" the Special Olympics by posing
as a mentally challenged athlete in order to pay the medical
expenses of an injured man he was forced to fire. Though some
may find its premise distasteful, director Barry W. Blaustein's
satire sensitively walks a fine line between indelicate and
uplifting, ultimately imparting a feel-good message about
looking beyond stereotypes and acknowledging the dignity and
humanity we all share. Considerable off-color humor, an irreverent
sight gag, some crude language and an instance of rough language.
The USCCB Office for Film & Broadcasting classification is
A-III -- adults. The Motion Picture Association of America
rating is PG-13 -- parents are strongly cautioned. Some material
may be inappropriate for children under 13.
"Rumor
Has It..." (Warner Bros.)
Good cast wasted in mostly distasteful story of woman (Jennifer
Aniston) who believes the 1967 film "The Graduate" was modeled
on her family, and tracks down the man (Kevin Costner) once
involved with both her late mother and her grandmother (Shirley
MacLaine), and then falls for him herself. Director Rob Reiner
gets decent performances from his actors, including Mark Ruffalo
and Richard Jenkins, and the basic premise is mildly amusing,
but the sentimental pro-family ending fails to eradicate the
squishy morality throughout. Vaguely incestuous theme, permissive
view of premarital sex, sexual situations, some profanity,
crude language and expressions, drug references, condom reference
and partial nudity. The USCCB Office for Film & Broadcasting
classification is L -- limited adult audience, films whose
problematic content many adults would find troubling. The
Motion Picture Association of America rating is PG-13 -- parents
are strongly cautioned. Some material may be inappropriate
for children under 13.
"The
White Countess" (Sony Classics)
Lavish,
final collaboration of director James Ivory and the late Ismail
Merchant with an original screenplay by novelist Kazuo Ishiguro
about an impoverished Russian countess (Natasha Richardson)
supporting her young daughter and ungrateful family (Vanessa
Redgrave, Lynn Redgrave, John Wood, Madeleine Potter) while
working as a hostess in a nightclub run by blind ex-diplomat
(Ralph Fiennes) in 1930s' Shanghai, China, just before the
Japanese invasion. Though the narrative isn't totally convincing,
it has an epic sweep, and after an uncertain start builds
to a satisfying conclusion with excellent performances. Some
crass language, sexual innuendo, suggested prostitution, gambling,
drunkenness, some barroom and wartime violence. The USCCB
Office for Film & Broadcasting classification is A-III --
adults. The Motion Picture Association of America rating is
PG-13 -- parents are strongly cautioned. Some material may
be inappropriate for children under 13.
"Wolf
Creek" (Dimension)
Repulsive thriller inspired by true events about a trio of
hikers (Cassandra Magrath, Nathan Phillips and Kestie Morassi)
who, stranded in a remote region of the Australian Outback,
find themselves in a nightmarish ordeal when they are "rescued"
by a neighborly bushman (John Jarratt) who turns out to be
a sadistic killer. Eliciting convincing performances out of
his Aussie cast, director Greg McLean chillingly creates an
unsettling sense of isolation, building suspense before detouring
into dehumanizing and bloody depravity. Gratuitous realistic
violence and gore, including vile scenes of mutilation and
torture, sexual degradation, as well as recurring rough and
sexually raw language. The USCCB Office for Film & Broadcasting
classification is O -- morally offensive. The Motion Picture
Association of America rating is R -- restricted.
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