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A hundred years or so ago, in a spasm of precocious political
correctness, the Overseers of Harvard University dropped "pro
Christo et ecclesia" from the university crest, leaving the
unadorned motto, "Veritas."
Evidently, the Overseers thought that the pursuit of truth
"for Christ and Church" too confining in an age on the cusp
of a new maturity tutored by science. Within a generation,
of course, that great hope was dashed in Flanders fields,
as science (in the form of the machine gun and barbed wire)
contributed mightily to the colossal act of civilizational
self-destruction we now know as World War I.
I thought of Harvard recently when visiting for the first
time the lovely university town of Cambridge (England, not
Massachusetts). John Harvard, who endowed the school that
bears his name, was a Cambridge man; so were Isaac Newton
and a parade of scientific notables that continues down to
Stephen Hawking today.
When "pro
Christo et ecclesia" is understood as a constriction
on learning, rather than learning's true liberation,
the chain that links medieval and renaissance universities
to contemporary centers of higher learning breaks.
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Cambridge history is not without its saints, too. John Fisher,
the only bishop to defy Henry VIII's theft of the Church of
England, spent a lot of time there, being involved at one
time or another with Trinity College, Queens' College, and
St. John's College, to which he gave lands originally granted
him by Lady Margaret Beaufort, mother of Henry VII; the brilliant
and holy Fisher was Lady Margaret's spiritual director. (The
porter at the gate of St. John's, with whom I had a friendly
chat, didn't know that "Bishop Fisher" had in fact been canonized
in 1935; but into that we need not go.)
Like any sensible visitor, I went at 5:30 to King's College
Chapel to hear its marvelous choir. The usual 5:30 fare at
King's is choral evensong. On May 21, however, the choir,
as it does every year, sang a requiem service for King Henry
VI, the college's founder, who had died on that date in 1471.
The choir's "voice" is extraordinarily pure: the best of the
English choral style, without a scintilla of the baroque warbling
that makes the Sistine Choir such a trial to hear.
Then there is the chapel itself --- a rather blocky building
in the "English perpendicular" style, but rendered ethereally
light because of the greatest fan vaulting in Europe, which
embraces the entire ceiling. Thanks to the vaulting and the
choir, King's offers an experience that seems close to weightlessness.
Anyone
who cares about beauty in its choral form owes an enormous
debt of gratitude to those who support and maintain institutions
like the choir school of King's College, Cambridge. And yet,
on leaving King's chapel that splendid May afternoon, I couldn't
help feeling a tinge of sadness that, on reflection, had something
to do with John Harvard and what the Overseers of his university
had done to his motto. That sadness, I decided, was a byproduct
of my unhappy sense that King's College chapel is, in many
respects, a museum.
Yes, the choir boys get a first-class musical education
that they'll carry with them throughout their lives. Yes,
Christian worship still takes place at King's. But the organic
connection between chapel and college --- the intuition about
the relationship between divine wisdom and human wisdom that
led John Fisher to ask Erasmus to come to Cambridge and teach
Greek, so that the New Testament could be read in the original
--- has been lost.
As it was, long ago, at Harvard. When "pro Christo et ecclesia"
is understood as a constriction on learning, rather than learning's
true liberation, the chain that links medieval and renaissance
universities (offspring of the church) to contemporary centers
of higher learning breaks. The result is King's College chapel:
splendid architecture, exceptionally fine music, but not essentially
different from The Cloisters, the Metropolitan Museum's recreation
of a medieval monastery in New York.
Fisher invited Erasmus to Cambridge, and Erasmus came, because
both men believed that the great humanistic revival to which
they were committed was a Christian enterprise. If Christ
reveals both the face of the merciful Father and the full
truth of our humanity, then the truest humanism is Christian
humanism. John Harvard's secularizing heirs, denying that,
changed their motto accordingly. In doing so, they stripped
higher learning of its soul.
George Weigel is a senior fellow of the Ethics and Public
Policy Center in Washington, D.C.
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