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With sales of The DaVinci Code now topping seven million,
it's a safe bet that Dan Brown's Catholic readership is well
into seven figures. Anecdotal evidence from around the Catholic
scene confirms the hunch that a lot of Catholics have read
the book --- and more than a few have been disturbed by it.
The question is --- why?
DaVinci's premise is preposterous: that Jesus married Mary
Magdalene and appointed her the head of a movement devoted
to the "sacred feminine;" thus the legendary "holy grail"
was Mary Magdalene, who nurtured within herself Jesus' descendants.
This "truth," ruthlessly suppressed by centuries of venal
churchmen, was preserved by a super-secret "Priory of Sion,"
of which Leonardo DaVinci was a member. In DaVinci's famous
"Last Supper," what you thought was St. John is really Mary
Magdalene, the "holy grail" present at a table without a chalice.
And so forth and so on, one bizarre assertion after another
--- and that's not to list the flat-footed mistakes in DaVinci,
like claims that the Dead Sea Scrolls revealed new information
about Jesus (the Scrolls, immensely valuable in other respects,
don't mention Jesus).
The signal
being sent by too many Catholics' inability to dismiss
Dan Brown's story as rubbish is that Catholics have
learned to mistrust the Bible. Which is not what the
Second Vatican Council had in mind, to put it gently.
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Why should this ridiculous foundation for a contemporary
whodunit that includes obligatory side-swipes at the conspiracy-driven
Vatican disturb Catholics? I can (barely) imagine Catholics
appreciating DaVinci as a kind of wild-eyed fantasy --- although
the "fantasy" contains so much covert and overt anti-Catholicism
that you'd have to wonder about Catholics enjoying it.
But why should reasonably well-educated Catholics find the
novel's plot raising questions about their faith? What's to
get disturbed about?
You remember the canary in the cage --- the old miners'
trick, in which a caged canary, keeling over from asphyxiation
deep beneath the earth, would signal miners that the air was
getting too foul and that it was time to get out? DaVinci
is a kind of literary canary-in-the-cage. The signal being
sent by too many Catholics' inability to dismiss Brown's story
as rubbish is that Catholics have learned to mistrust the
Bible. Which is not what the Second Vatican Council had in
mind, to put it gently.
The Council wanted to return the Bible to the people of
the church as "their" book, an entirely worthy goal. Just
when Catholics were rediscovering the Old and New Testaments,
however, "historical criticism" of the Bible was breaking
out of classrooms into the American cultural mainstream ---
and into pulpits, where Catholic priests, newly instructed
to preach on each Sunday's biblical texts, were often tempted
to explain what the New Testament wasn't, rather than preaching
the religious, moral and historical truths the New Testament
conveyed.
The cultural and ecclesial ground was thus tilled for The
DaVinci Code. If, over the past 30-some years, you've absorbed
the idea that the New Testament is really elegant, inspired
fiction, it's but a short step to buying Dan Brown's storyline,
which is that this whole church business has been a vast,
lie-driven conspiracy from the git-go. That's certainly not
what mainstream historical-critical scholars intended to teach
Catholics. The disturbances caused by DaVinci suggest that
that's what a lot of people learned, however: they learned
to be suspicious about the integrity of Christianity's basic
text.
DaVinci
is a problem that could become an evangelical possibility.
Pastors and adult education directors might want to ensure
that the parish pamphlet racks are full of an admirable brochure,
The DaVinci Code: The facts behind the fiction of the bestselling
novel, available from Our Sunday Visitor (www.osv.com). The
brochure briskly identifies the numerous errors and historical
implausibilities in the book while inviting readers to encounter
the story told in the Gospels --- "the story in which the
truth is, if not stranger, certainly more interesting and
life-giving, than fiction." (I carry the OSV brochure in my
briefcase, to hand out on planes and trains when I find someone
reading DaVinci.)
Then there's The DaVinci Hoax by Carl Olson and Sandra Miesel,
a new book from Ignatius Press that Cardinal Francis George
of Chicago calls the "definitive debunking" of Brown's hypothesis.
It's not hard to imagine an attractive adult education series
being built around this able demolition job.
Dan Brown has offered pastors and teachers with nerve and
wit a real opportunity. I hope they seize it.
George Weigel is a senior fellow of the Ethics and Public
Policy Center in Washington, D.C.
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